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The article analyzes the so-called “Annales Regni Henrici Septimi” (records of the twentieth and twenty-third years of the reign of the founder of the Tudor dynasty), written by the court poet and royal historiographer Bernard André. Created after the completion of “De Vita atque Gestis Henrici Septimi Historia”, it may have been intended by the author as a draft for a future similar historical work and contain many important details, although due to circumstances it never took the form of a completed work.

The manuscript of Henry VII’s “The Book of Astrology” of the British Library (Arundel MS. 66), in which astronomical treatises and political prophecies are accompanied by numerous illustrations, reflecting various symbols of the royal power of the new dynasty in England, is considered in the article as an imagographic historical source.

The article is devoted to revealing the ways of organizing the metropolitan celebrations in 1894–1924. The author focuses on the city’s metropolitan area, which was the ‘stage’ for preparing public celebrations, first by the autocratic monarchy, then by the Provisional government, and finally by the Soviet government. Based on organizational documentation, the article shows the transformation of the influence on the choice of the triumph vector from centralization to decentralization and vice versa.