music

The review is devoted to the first large-scale publication of sources on the culture of the Samara province during the First World War. The book was prepared by the staff of the Samara Regional Universal Scientific Library, among whom experienced historians which included experienced historians and was assisted by specialists from other cultural institutions. It meets modern criteria for the selection and publication of documentary materials. A contribution has been made to the study of the cultural life in a difficult era.

The article is devoted to the study of the role of music and sound effects in the Anglo-American cinematograph. An attempt is made to assess the political and symbolic potential of media resources for representing the «image of another». To this end, the author examines a number of specific films created at different stages of the Cold War.